Johnny leaves the airport by taxi, ending up in a disreputable part of town. During his ride we see another video phone call with a different interface, and the first brief appearance of some high tech binoculars. I’ll return to these later, for the moment skipping ahead to the last of the relatively simple and single-use physical gadgets.
Johnny finds the people he is supposed to meet in a deserted building but, as events are not proceeding as planned, he attaches another black box with glowing red status light to the outside of the door as he enters. Although it looks like the motion detector we saw earlier, this is a bomb.
This is indeed a very bad neighbourhood of Newark. Inside are the same Yakuza from Beijing, who plan to remove Johnny’s head. There is a brief fight, which ends when Johnny uses his watch to detonate the bomb. It isn’t clear whether he pushes or rotates some control, but it is a single quick action.Continue reading →
After ditching Chewie, Boba Fett heads to a public video phone to make a quick report to his boss who turns out to be…Darth Vader (this was a time long before the Expanded Universe/Legends, so there was really only one villain to choose from).
To make the call, he approaches an alcove off an alley. The alcove has a screen with an orange bezel, and a small panel below it with a 12-key number panel to the left, a speaker, and a vertical slot. Below that is a set of three phone books. For our young readers, phone books are an ancient technology in which telephone numbers were printed in massive books, and copies kept at every public phone for reference by a caller.
Later, in the brain hacking scene, we’ll hear two more sentences spoken.
Completionists: There’s also extensive use of voice output during a cyberspace search sequence, but there Johnny is wearing a headset so he is the only one who can hear it. That is sufficiently different to be left out of this discussion.
Voice is public
Sonic output in general and voice in particular have the advantage of being omnidirectional, so the user does not need to pay visual attention to the device, and, depending on volume and ambient noise, can be understood at much greater distances than a screen can be read. These same qualities are not so desirable if the user would prefer to keep the message or information private. We can’t tell whether these systems can detect the presence or absence of people, but the hotel message centre only spoke when Johnny was alone. Later in the film we will see two medical systems that don’t talk at all. This is most likely deliberate because few patients would appreciate their symptoms being broadcast to all and sundry.
Unless you’re the only one in the room
The bathroom tap is interesting because the temperature message was in English. This is a Beijing hotel, and the scientists who booked the suite are Vietnamese, so why? It’s not because we the audience need to know this particular detail. But we do have one clue: Johnny cursed rather loudly once he was inside the bathroom. I suggest that there is a hotel computer monitoring the languages being used by guests within the room and adjusting voice outputs to match. Current day word processors, web browsers, and search engines can recognise the language of typed text input and load the matching spellcheck dictionaries, so it’s a fair bet that by 2021 our computers will be able to do the same for speech.
Luke, Chewie, the comms officer aboard the Revenge, and this orange lizard/cat thing wear similar headsets in the short. Each consists of headphones with a coronal headband and a microphone on a boom that holds it in front of their mouths.
The only time we see something resembling a control, Luke attempts to report back to the Rebel base. To do so, he uses his right hand to pinch (or hold?) the microphone as he says, “This is Y4 to base.” Then he releases the mic and continues, “He’s heading straight for a moon in…the Panna system.”Continue reading →
The only flight controls we see are an array of stay-state toggle switches (see the lower right hand of the image above) and banks of lights. It’s a terrifying thought that anyone would have to fly a spaceship with binary controls, but we have some evidence that there’s analog controls, when Luke moves his arms after the Falcon fires shots across his bow.
Unfortunately we never get a clear view of the full breadth of the cockpit, so it’s really hard to do a proper analysis. Ships in the Holiday Special appear to be based on scenes from A New Hope, but we don’t see the inside of a Y-Wing in that movie. It seems to be inspired by the Falcon. Take a look at the upper right hand corner of the image below.
After fleeing the Yakuza in the hotel, Johnny arrives in the Free City of Newark, and has to go through immigration control. This process appears to be entirely automated, starting with an electronic passport reader.
On board the R.S. Revenge, the purple-skinned communications officer announces he’s picked up something. (Genders are a goofy thing to ascribe to alien physiology, but the voice actor speaks in a masculine register, so I’m going with it.)
He attends a monitor, below which are several dials and controls in a panel. On the right of the monitor screen there are five physical controls.
A stay-state toggle switch
A stay-state rocker switch
The lower two dials have rings under them on the panel that accentuate their color.
The screen is a dark purple overhead map of the impossibly dense asteroid field in which the Revenge sits. A light purple grid divides the space into 48 squares. This screen has text all over it, but written in a constructed orthography unmentioned in the Wookieepedia. In the upper center and upper right are unchanging labels. Some triangular label sits in the lower-left. In the lower right corner, text appears and disappears too fast for (human) reading. The middle right side of the screen is labeled in large characters, but they also change too rapidly to make much sense of it.