RSW CalArts: Rebel bombing target computer 2

I have, over the past several years, conducted a workshop at a handful of conferences, companies, and universities called Redesigning Star Wars. (Read more about that workshop on its dedicated page.) It’s one of my favorite workshops to run.

In April of 2016 I was invited to run the workshop at CalArts in Southern California for some of the interaction design students. Normally I ask attendees to illustrate their design ideas on paper, but the CalArts students went the extra mile to illustrate their ideas in video comps! So with complete apologies for being impossibly late, here are some of those videos.

Next up, a second redesign of the Rebel bombing target computer.

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Monique Wilmoth and Andrea Yasko redesigned the controls to keep the Rebel bomber’s hands on the controls, added voice control, and reconsidered the display. Take a look at their video, below.

 

If you’d like to discuss a workshop for your org, contact workshop@scifiinterfaces.com.

RSW CalArts: Rebel bombing target computer

I have, over the past several years, conducted a workshop at a handful of conferences, companies, and universities called Redesigning Star Wars. (Read more about that workshop on its dedicated page.) It’s one of my favorite workshops to run.

In April of 2016 I was invited to run the workshop at CalArts in Southern California for some of the interaction design students. Normally I ask attendees to illustrate their design ideas on paper, but the CalArts students went the extra mile to illustrate their ideas in video comps! So with complete apologies for being impossibly late, here are some of those videos.

Next up, a redesign of the Rebel bombing target computer.

Redesigning Star Wars_UX London 2015_Interfaces_Page_19

Abby Chang and Julianna Bach redesigned the controls to keep the Rebel bomber’s hands on the controls, and reconsidered the display. Take a look at their video, below.

If you’d like to discuss a workshop for your org, contact workshop@scifiinterfaces.com.

RSW CalArts: Luke’s binoculars

I have, over the past several years, conducted a workshop at a handful of conferences, companies, and universities called Redesigning Star Wars. (Read more about that workshop on its dedicated page.) It’s one of my favorite workshops to run.

In April of 2016 I was invited to run the workshop at CalArts in Southern California for some of the interaction design students. Normally I ask attendees to illustrate their design ideas on paper, but the CalArts students went the extra mile to illustrate their ideas in video comps! So with complete apologies for being impossibly late, here are some of those videos.

First up, a redesign of Luke’s binoculars.

Redesigning Star Wars_UX London 2015_Interfaces_Page_03.png

 Yinchin Niu and Samantha Shiu redesigned the control buttons to make them more accessible to Luke and reconsidered the augmentations through the viewfinder. Take a look at their demonstration video, below.

If you’d like to discuss a workshop for your org, contact workshop@scifiinterfaces.com.

Report Card: The Faithful Wookiee

Read all The Faithful Wookiee reviews in chronological order.

Of course we understand that The Faithful Wookiee was an animation for children and teens, the script of which was thrown together in a short time. We understand that it is meant to be entertainment and not a prediction, building on the somewhat-unexpected success of a sci-fi movie released the year before. We get that the plot is, well, unlikely. We understand that 1978 was not a time when much thought was given to consistent and deeply thought-through worldbuilding with technology. We understand it is hand-drawn animation and all the limitations that come with this.

But, still, to ensure a critique is valuable to us, we must bypass these archaeological excuses and focus instead on the thing as produced. And for that, the short does not fare well.

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Continue reading

Escape door

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There is one last interface in The Faithful Wookiee we see in use. It’s one of those small interfaces, barely seen, but that invites lots of consideration. In the story, Boba and Chewie have returned to the Falcon and administered to Luke and Han the cure to the talisman virus. Relieved, Luke (who assigns loyalty like a puppy at a preschool) says,

“Boba, you’re a hero and a faithful friend. [He isn’t. —Editor] You must come back with us. [He won’t.What’s the matter with R2?”

C3PO says,“I’m afraid sir, it’s because you said Boba is a faithful friend and faithful ally. [He didn’t.] That simply does not feed properly into R2’s information banks.”

Luke asks, “What are you talking about?”

“We intercepted a message between Boba and Darth Vader, sir. Boba Fett is Darth Vader’s right-hand man. I’m afraid this whole adventure has been an Imperial plot.”

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Luke did not see this coming.

Luke gapes towards Boba, who has his blaster drawn and is backing up into an alcove with an escape hatch. Boba glances at a box on the wall, slides some control sideways, and a hatch opens in the ceiling. He says, deadpan, “We’ll meet again…friend,” before touching some control on his belt that sends him flying into the clear green sky, leaving behind a trail of smoke. Continue reading

Video call

After ditching Chewie, Boba Fett heads to a public video phone to make a quick report to his boss who turns out to be…Darth Vader (this was a time long before the Expanded Universe/Legends, so there was really only one villain to choose from).

To make the call, he approaches an alcove off an alley. The alcove has a screen with an orange bezel, and a small panel below it with a 12-key number panel to the left, a speaker, and a vertical slot. Below that is a set of three phone books. For our young readers, phone books are an ancient technology in which telephone numbers were printed in massive books, and copies kept at every public phone for reference by a caller.

faithful-wookiee-video-call-04faithful-wookiee-video-call-05 Continue reading

Headsets

Luke, Chewie, the comms officer aboard the Revenge, and this orange lizard/cat thing wear similar headsets in the short. Each consists of headphones with a coronal headband and a microphone on a boom that holds it in front of their mouths.

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The only time we see something resembling a control, Luke attempts to report back to the Rebel base. To do so, he uses his right hand to pinch (or hold?) the microphone as he says, “This is Y4 to base.” Then he releases the mic and continues, “He’s heading straight for a moon in…the Panna system.” Continue reading