Escape door

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There is one last interface in The Faithful Wookiee we see in use. It’s one of those small interfaces, barely seen, but that invites lots of consideration. In the story, Boba and Chewie have returned to the Falcon and administered to Luke and Han the cure to the talisman virus. Relieved, Luke (who assigns loyalty like a puppy at a preschool) says,

“Boba, you’re a hero and a faithful friend. [He isn’t. —Editor] You must come back with us. [He won’t.What’s the matter with R2?”

C3PO says,“I’m afraid sir, it’s because you said Boba is a faithful friend and faithful ally. [He didn’t.] That simply does not feed properly into R2’s information banks.”

Luke asks, “What are you talking about?”

“We intercepted a message between Boba and Darth Vader, sir. Boba Fett is Darth Vader’s right-hand man. I’m afraid this whole adventure has been an Imperial plot.”

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Luke did not see this coming.

Luke gapes towards Boba, who has his blaster drawn and is backing up into an alcove with an escape hatch. Boba glances at a box on the wall, slides some control sideways, and a hatch opens in the ceiling. He says, deadpan, “We’ll meet again…friend,” before touching some control on his belt that sends him flying into the clear green sky, leaving behind a trail of smoke.

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A failure of door

Let’s all keep in mind that the Falcon isn’t a boat or a car. It is a spaceship. On the other side of the hatch could be breathable air at the same pressure as what’s inside the ship, or it could also be…

  • The bone-cracking 2.7° Kelvin emptiness of space
  • The physics-defying vortex of hyperspace
  • Some poisonous atmosphere like Venus’, complete with sulfuric acid clouds
  • A hungry flock of neebrays.

There should be no easy way to open any of its external doors.

Think of an airplane hatch. On the other side of that thing is an atmosphere known to support human life, and it sure as hell doesn’t open like a gen-1 iPhone. For safety, it should take some doing.

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If we’re being generous, maybe there’s some mode by which each door can be marked as “safe” and thereby made this easy to open. But that raises issues of security and authorizations and workflow that probably aren’t worth going into without a full redesign and inserting some new technological concepts into the diegesis.

Let’s also not forget that to secure that most precious of human biological needs, i.e. air, there should be an airlock, where the outer door and inner door can’t be opened at the same time without extensive override. But that’s not a hindrance. It could have made for an awesome moment.

  • LUKE gapes at Boba. Cut to HAN.
  • HAN
  • You won’t get any information out of us, alive or dead. Even the droids are programmed to self-destruct. But there’s a way out for you.
  • HAN lowers his hand to a panel, and presses a few buttons. An escape hatch opens behind Boba Fett.
  • BOBA FETT
  • We’ll meet again…friend.

That quick change might have helped explain why Boba didn’t just kill everyone and steal the Falcon and the droids (along with their information banks) then and there.

Security is often sacrificed to keep narrative flowing, so I get why makers are tempted to bypass these issues. But it’s also worth mentioning two other failures that this 58-second scene illustrates.

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A failure to droid

Why the hell did C3PO and R2D2 wait to tell Luke and Han of this betrayal until Luke happened to say something that didn’t fit into “information banks?” C3PO could have made up some bullshit excuse to pull Luke aside and whisper the news. But no, he waits, maybe letting Luke and Han spill vital information about the Rebellion, and only when something doesn’t compute, blurt out that the only guy in the room with the blaster happens to be in bed with Space Voldemort.

I can’t apologize for this. It’s a failure of writing and an unimaginative mental model. If you are a writer wondering how droids would behave, think of them less as stoic gurus and more as active academies.

A failure of plot

Worse, given that C3PO says this is all an Imperial plot, we’re meant to understand that in an attempt to discover the Rebel base, the Empire…

  • Successfully routed rumors of a mystical talisman, which the Empire was just about to find, to the Rebels in a way they would trust it
  • Actually created a talisman
  • Were right on their long shot bet that the Rebels would bite at the lure
  • Bioengineered a virus that
    • Caused a sleeping sickness that only affects humans
    • Survived on the talisman indefinitely
  • Somehow protected Boba Fett from the virus even though he is human
  • Planted a cure for the virus on a planet near to where Han and Chewie would find the talisman
  • Successfully routed the location of the cure to Chewbacca so he would know where to go
  • Got Boba Fett—riding an ichthyodont—within minutes, to the exact site on the planet where Chewie would crash-land the Falcon.

Because without any of these points, the plan would not have worked. Yet despite the massive logistics, technological, and scientific effort, this same Empire had to be stupid enough to…

  • Bother to interrupt the mission in progress to say that the mission was on track
  • Use insecure, unencrypted, public channels to for this report

Also note that despite all this effort (and buffoonery) they never, ever used this insanely effective bioweapon against the Rebels, again.


I know, you’re probably thinking this is just some kid’s cartoon in the Star Wars diegesis, but that only raises more problems, which I’ll address in the final post on this crazy movie within a crazy movie.

Microfiche reader

One other portable device that bears mention is Lt. Farman’s microfiche reader.

Farman checks Morbius’’ information.

When the officers originally learn Morbius’’ name, Farman fetches the device from a drawer. It is a small, metallic square box about the size of a pack of playing cards. He withdraws one of a set of thin transparent sheets of microfiche held in a pocket on the back, and inserts it to a slot at the top of the device. The device magnifies the contents of the sheet for the viewer, who can scroll by pulling the microfiche up and down. The particular microfiche displays all of the manifest information from the Bellerophon expedition, which Farman uses to verify Morbius’ information.

Farman looks for Julia Marsin on the Bellerephon’s manifest.

Farman uses an even smaller version of this device in the field, which consists of a small, lipstick-sized cylinder with a slit, through which he passes the same film to check for a “Mrs. Morbius.”

Though this seems like miniaturization that is far ahead of its time, microforms and optical magnification had been around and used to compactly store data since the mid 1800s. This device is an extension of these optical concepts, rather than modern digital media which only reached similar portable sizes in the early 2000s.

Military communication

All telecommunications in the film are based on either a public address or a two-way radio metaphor.

Commander Adams addresses the crew.

To address the crew from inside the ship, Commander Adams grabs the microphone from its holder on the wall. Its long handle makes it easy to grab. By speaking into the lit, transparent circle mounted to one end, his voice is automatically broadcast across the ship.

Commander Adams lets Chief Quinn know he’s in command of the ship.

Quinn listens for incoming signals.

The two-way radio on his belt is routed through the communications officer back at the ship. To use it, he unclips the small cylindrical microphone from its clip, flips a small switch at the base of the box, and pulls the microphone on its tether close to his mouth to speak. When the device is active, a small array of lights on the box illuminates.

Confirming their safety by camera, Chief Quinn gets an eyeful of Alta.

The microphone also has a video camera within it. When Chief Quinn asks Commander Adams to “activate the viewer,” he does so by turning the device such that its small end faces outwards, at which time it acts as a camera, sending a video signal back to the ship, to be viewed on the “view plate.”

The Viewplate is used frequently to see outside the ship.

Altair IV looms within view.

The Viewplate is a large video screen with rounded edges that is mounted to a wall off the bridge. To the left of it three analog gauges are arranged in a column, above two lights and a stack of sliders. These are not used during the film.

Commander Adams engages the Viewplate to look for Altair IV.

The Viewplate is controlled by a wall mounted panel with a very curious placement. When Commander Adams rushes to adjust it, he steps to the panel and adjusts a few horizontal sliders, while craning around a cowling station to see if his tweaks are having the desired effect. When he’’s fairly sure it’’s correct, he has to step away from the panel to get a better view and make sure. There is no excuse for this poor placement.