Frito’s F’n Car interface

When Frito is driving Joe and Rita away from the cops, Joe happens to gesture with his hand above the car window, where a vending machine he happens to be passing spots the tattoo. Within seconds two harsh beeps sound in the car and a voice says, “You are harboring a fugitive named NOT SURE. Please, pull over and wait for the police to incarcerate your passenger.”

Frito’s car begins slowing down, and the dashboard screen shows a picture of Not Sure’s ID card and big red text zooming in a loop reading “PULL OVER”

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The car interface has a column of buttons down the left reading:

  • NAV
  • WTF?
  • BEER
  • FART FAN
  • HOME
  • GIRLS

At the bottom is a square of icons: car, radiation, person, and the fourth is obscured by something in the foreground. Across the bottom is Frito’s car ID “FRITO’S F’N CAR” which appears to be a label for a system status of “EVERYTHING’S A-OK, BRO”, a button labeled CHECK INGN [sic], another labeled LOUDER, and a big green circle reading GO.

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But the car doesn’t wait for him to pull over. With some tiny beeps it slows to a stop by itself. Frito says, “It turned off my battery!” Moments after they flee the car, it is converged upon by a ring of police officers with weapons loaded (including a rocket launcher pointed backward.)

Visual Design

Praise where it’s due: Zooming is the strongest visual attention-getting signals there is (symmetrical expansion is detected on the retina within 80 milliseconds!) and while I can’t find the source from which I learned it, I recall that blinking is somewhere in the top 5. Combining these with an audio signal means it’s hard to miss this critical signal. So that’s good.

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In English: It’s comin’ right at us!

But then. Ugh. The fonts. The buttons on the chrome seem to be some free Blade Runner font knock off, the text reading “PULL OVER” is in some headachey clipped-corner freeware font that neither contrasts nor compliments the Blade Jogger font, or whatever it is. I can’t quite hold the system responsible for the font of the IPPA licence, but I just threw up a little into my Flaturin because of that rounded-top R.

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Then there’s the bad-90s skeuomorphic, Bevel & Emboss buttons that might be defended for making the interactive parts apparent, except that this same button treatment is given to the label Frito’s F’n Car, which has no obvious reason why it would ever need to be pressed. It’s also used on the CHECK INGN and LOUDER buttons, taking their ADA-insulting contrast ratios and absolutely wrecking any readability.

I try not to second-guess designer’s intentions, but I’m pretty sure this is all deliberate. Part of the illustration of a world without much sense. Certainly no design sense.

In-Car Features

What about those features? NAV is pretty standard function, and having a HOME button is a useful shortcut. On current versions of Google Maps there’s an Explore Places Near You Function, which lists basic interests like Restaurants, Bars, and Events, and has a more menu with a big list of interests and services. It’s not a stretch to imagine that Frito has pressed GIRLS and BEER enough that it’s floated to the top nav.

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That leaves only three “novel” buttons to think about: WTF, LOUDER, and FART FAN. 

WTF?

If I have to guess, the WTF button is an all-purpose help button. Like a GM OnStar, but less well branded. Frito can press it and get connected to…well, I guess some idiot to see if they can help him with something. Not bad to have, though this probably should be higher in the visual hierarchy.

LOUDER

This bit of interface comedy is hilarious because, well, there’s no volume down affordance on the interface. Think of the “If it’s too loud, you’re too old” kind of idiocy. Of course, it could be that the media is on zero volume, and so it couldn’t be turned down any more, so the LOUDER button filled up the whole space, but…

  • The smarter convention is to leave the button in place and signal a disabled state, and
  • Given everything else about the interface, that’s giving the diegetic designer a WHOLE lot of credit. (And our real-world designer a pat on the back for subtle hilarity.)

FART FAN

This button is a little potty humor, and probably got a few snickers from anyone who caught it because amygdala, but I’m going to boldly say this is the most novel, least dumb thing about Frito’s F’n Car interface.

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Pictured: A sulfuric gas nebula. Love you, NASA!

People fart. It stinks. Unless you have active charcoal filters under the fabric, you can be in for an unpleasant scramble to reclaim breathable air. The good news is that getting the airflow right to clear the car of the smell has, yes, been studied, well, if not by science, at least scientifically. The bad news is that it’s not a simple answer.

  • Your car’s built in extractor won’t be enough, so just cranking the A/C won’t cut it.
  • Rolling down windows in a moving aerodynamic car may not do the trick due to something called the boundary layer of air that “clings” to the surface of the car.
  • Rolling down windows in a less-aerodynamic car can be problematic because of the Helmholtz effect (the wub-wub-wub air pressure) and that makes this a risky tactic.
  • Opening a sunroof (if you have one) might be good, but pulls the stench up right past noses, so not ideal either.

The best strategy—according to that article and conversation amongst my less squeamish friends—is to crank the AC, then open the driver’s window a couple of inches, and then the rear passenger window half way.

But this generic strategy changes with each car, the weather (seriously, temperature matters, and you wouldn’t want to do this in heavy precipitation), and the skankness of the fart. This is all a LOT to manage when one’s eyes are meant to be on the road and you’re in an nauseated panic. Having the cabin air just refresh at the touch of one button is good for road safety.

If it’s so smart, then, why don’t we have Fart Fan panic buttons in our cars today?

I suspect car manufacturers don’t want the brand associations of having a button labeled FART FAN on their dashboards. But, IMHO, this sounds like a naming problem, not some intractable engineering problem. How about something obviously overpolite, like “Fast freshen”? I’m no longer in the travel and transportation business, but if you know someone at one of these companies, do the polite thing and share this with them.

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Another way to deal with the problem, in the meantime.

So aside from the interface considerations, there are also some strategic ones to discuss with the remote kill switch, but that deserves it’s own post, next.

Fox News

“He tried taking water from toilets, but it’s Secretary Not Sure who finds himself in the toilet now. And as history pulls down its pants and prepares to lower its ass on Not Sure’s head it will be Daddy Justice who will be crapping on him this time.”

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Today is election day. If you’re American, you’re voting, of course. (or, you know, GTFO.)

Because of voter suppression efforts by the GOP, many who are voting will be facing long lines. Help encourage these Americans, slogging as they are through the GOP swamp just for their right to vote, to stay the course by buying them some pizza. And if it’s you, know that you can report your long line to the same place and have some ‘za sent your way.

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https://polls.pizza/

Godspeed, America.

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I’ll get back to wrapping up Idiocracy later.

House of Representin’

The U.S. House of Representin’ in Idiocracy is a madhouse. When Joe is sworn in as the Secretary of the Interior, he takes his seat in the balcony with the other Cabinet members. He looks down into the gallery. It is dimly lit. When Joe is sworn in as the Secretary of the Interior, he enters the chamber and sits in the balcony with the rest of the Cabinet. He looks down into the gallery. It is dimly lit. There are spotlights roving across the Representatives, who don’t sit at desks but stand in a mosh pit. There is even a center-hung video display like you’d see at an indoor sports area. Six giant LED screens. Ring displays showing weird ASCII characters.

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Sadly, we do not get to The Sennit for a comparison.

Someone plays an entrance theme consisting mostly of a cowbell and grunts. Strobe lights flash. An announcer says, like he was announcing a World Wrestling Entertainment performer, “Ladies and gentlemen…the President of America!” Camacho comes out of a side door screaming. He’s dressed in lots of red and white stripes with a cape made of the union blue. (n.b. The federal code forbids the wearing the flag as apparel.) He does some made-up karate poses. There are logos on the rostrum and currency sheets for wallpaper. He stands at the lectern and begins his address to the Representatives by saying, “Shut up.”

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Identity Processing Program of America

After his initial arrest, Joe is led by a noose stick (and a police officer speaking some devolved version of copspeak) to a machine to get an identity tattoo. Joe sits in the chair and a synthesized voice says, “Welcome to the Identity Processing Program of America. Please insert your forearm into the forearm receptacle.” Joe does as instructed and it locks his arm into place. A screen in front of him shows the legend “Identity Processing Program of America” superimposed over an USA pattern made up of company names and Carls Junior amputated star logos. Five rectangles across the top are labeled: System, Identity, Verify, Imprint, and Done.

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It prompts him to “…speak your name as it appears on your current federal identity card, document number G24L8.” Joe says, “I’m not sure if—“ The machine interprets this as input and blinks the name as it says, “You have entered the name ‘Not Sure.’ Is this correct, Not Sure?”

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Joe tries to correct it, saying, “No…it’s not correct.” On the word “correct” it dings and continues, “Thank you. ‘Not’ is correct.” “Not” stops blinking in the interface.

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IQ Testing

When Joe is processed after his arrest, he is taken to a general IQ testing facility. He sits in a chair wearing headphones. A recorded voice asks, “If you have one bucket that holds two gallons, and another bucket that holds five gallons, how many buckets do you have?” Into a microphone he says, incredulous that this is a question, “Two?” The recorded voice says, “Thank you!”

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Joe looks to his left to see another subject is trying to put a square blue peg into the middle round hole of a panel and of course failing. Joe looks to his right, to see another subject with a triangular green peg in hand that he’s trying to put into the round middle hole in his interface. Small colored bulbs above each hole are unlit, but they match the colors of the matching blocks, so let’s presume they illuminate when the correct peg is inserted. When you look closely, it’s also apparent that the blocks are tethered to the panel so they’re not lost, and each peg is tethered directly below its matching hole. So there are lots and lots of cues that would let a subject figure it out. And yet, they are not. The subject to Joe’s right even eyes Joe suspiciously and turns his body to cover his test so Joe won’t try and crib…uh…“answers.”

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Comedy

The comedy in the scene comes from how rudimentary these challenges are. Most toddlers could complete the shape test. Even if you couldn’t figure out the shapes, you could match the colors, i.e. the blue object goes in the hole under the blue bulb. Most preschoolers could answer the spoken challenge. It underscores the stupidity of this world that generalized IQ tests for adults test below grade school levels.

IQ Testing

Since Binet invented the first one in 1904, IQ testing has a long, and problematic past (racism and using it to justify eugenic arguments, just for instance) but it can have a rational goal: How do we measure the intelligence of a set of people (students in a classroom, or applicants to intelligence jobs) for strategic decisions about aptitude, assistance, and improvement? But intelligence is a very slippery concept, and complicated to study much less test. The good news in this case is that the citizens of Idiocracy don’t have very sophisticated intellects, so very basic tests of intelligence should suffice.

Some nice things

So, that said, the shape test has some nice aspects. The panel is angled so the holes are visible and targetable, without being so vertical it’s easy to drop the pegs while manipulating them. The panel is plenty thick for durability and cleaning. The speech-to-text tech seems to work perfectly, unlike the errors and bad design that riddle most technologies in Idiocracy.

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A garden path match

There’s an interesting question of affordances in the device. You can see in the image above that the yellow round block fits just fine in the square hole. Ordinarily, a designer would want to prevent errors like this by, say, increasing the diameter of the round peg (and its hole) so that it couldn’t be inserted into the square hole. That version of the test would just test the time it took by even trial-and-error to match pegs to their matching holes, then you could rank subjects by time-to-completion. But by allowing the round peg to fit in the square hole, you complicate the test with a “garden path” branch where some subjects can get lost in what he thinks is a successful subtask. This makes it harder to compare subjects fairly, because another subject might not have wandered down this path and paid an unfair price in their time-to-complete.

Another complication is that this test has so many different clues. Do they notice the tethers? Do subjects notice the colored bulbs? (What about color blind subjects?) Having it test cognitive skills as well as fine-motor manipulation skills as well as perception skills seems quite complicated and less likely to enable fair comparisons. 

We must always scrutinize IQ tests because people put so much stock in them and it can be very much to an individual’s detriment. Designers of these tests ought to instrument them carefully for passive and active feedback about when the test itself is proving to be problematic.

Challenging the “superintelligent?”

A larger failing of the test is that it doesn’t challenge Joe at all. All his results would tell him is that he’s much much more intelligent than these tests are built for. Fair enough, there’s nothing in the world of Idiocracy which would indicate a need to test for superintelligence among the population, but this test had to be built by someone(s), generations ago. Could they not even have the test work on someone as smart as themselves? That’s all it would need to test Joe. But we live in a world that should be quite cautious about the emergence of a superintelligence. It would be comforting to imagine that we could test for that. Maybe we should include the Millennium Problems at the end of every test. Just in case.

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Another Idiot Test

As “luck” would have it, Trump tweeted an IQ test just this morning. (I don’t want to link to it to directly add any fuel to his fire, but you can Google it easily.) It’s an outrageous political video ad. As you watch it:

  • Do you believe that a single anecdote about a troubled, psychotic individual is generalizable to everyone with brown skin? Or even to everyone with brown skin who is not American and seeking legal asylum in the U.S.?
  • Do you ignore the evidence of the past decades (and the last week) that show it’s conservative white males who are much more of a problem? (Noting that vox is a liberal-leaning publication, but look at the article’s citations.)
  • Can you tell that the war drums under the ad are there only to make you feel scared, appealing to your emotions with cinematic tricks?
  • Do you uncritically fall for implicature and the slippery slope fallacy?

If the answers to all these are yes, well, sorry. You’ve failed an IQ test put to you by one of the most blatantly racist political ads since WIllie Horton. (Not many ads warrant a deathbed statement of regret, but that one did.) Maybe it’s best you take the rest of the week off treating yourself. Leave town. Take a road trip somewhere. Eat some ice cream.

For the rest of you, congratulations on passing the test. We have 5 days until the election. Kick the racist bastards and the bastards enabling the racist bastards out.

The Court of Idiots

t’s Halloween, as if the news of the past week were not scary enough. Pipe bombs to Democratic leaders. The largest massacre of Jewish people in on American soil in history. The murder of two black senior citizens by a white supremacist in Kentucky. Now let’s add to it with this nightmare scene from Idiocracy. Full disclosure: We’re covering technology as old as civilization here, so there won’t be any screen interfaces.

***

Joe is wheeled into the courtroom in a cage. There is a large gallery there, all of whom are booing him. One throws his milkshake at the accused. Others throw trash. The narrator says, “Joe was arrested for not paying his hospital bill and not having his IPP tattoo. He would soon discover that in the future, Justice was not only blind, but had become rather retarded as well.”

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Joe is let out of his cage. The judge, identified by his name plate as The Honorable Hector “The Hangman,” stands at his bench in a spotlight in front of a wall of logos, grinning in anticipation at a new victim. He slams a massive gavel and shouts at the booing crowd, “Listen up! Now. I’m fixin’ to commensurate this trial here. [All of this is sic.] We gon’ see if we can’t come up with a verdict up in here. Now. Since y’all say y’ain’t got no money, we have proprietarily obtained you one of them court-appointed lawyers. So, put your hands together to give it up for Frito Pendejo!” Continue reading

The Time Masheen

Chris: Diorama rides like The Time Masheen seen at the end of Idiocracy aren’t interactive in a strict sense, but since it’s a favorite moment and works for riders abstractly as an interface to the vast domain of knowledge that is history, I asked the awesome Cynthia Sharpe to provide some opinions. Cynthia works as the Principal, Cultural Attractions and Research at Thinkwell Group, and so has a much more learned opinion than mine. We totally crazily co-wrote this in a 24-hour long frenzy of geekdom. Note that these opinions are her own, and not necessarily shared by Thinkwell Group (hey team!).

I usually try to post reviews of interfaces in the order they appear in the film. But Cynthia wants to make a hard core shout out to Sharice Davids and that would work best sooner rather than later, so we’re doing this NOW. omg. It’s almost like this post TRAVELED IN TIME.

***

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Though the actual payoff is maybe a minute long, the whole The Time Masheen conceit and reveal in Idiocracy is one of my favorite “it’s turtles all the day down” moments of total ur-nerdery. A shitty ride, wrong history, awful exhibit design, Godwin-ing itself from the get-go. Pure poetry. As someone who works in both theme parks and museums, let’s have fun unpacking this, shall we?

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Welcome my son. Welcome to the (Time) Masheen. 🎵 Where have you been? 🎶

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Carl’s Junior

In addition to its registers, OmniBro also makes fast-food vending machines. The one we see in the film is free-standing kiosk with five main panels, one for each of the angry star’s severed arms. A nice touch that flies by in the edit is that the roof of the kiosk is a giant star, but one of the arms has broken and fallen onto a car. Its owners have clearly just abandoned it, and things have been like this long enough for the car to rust.

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A description

Each panel in the kiosk has:

  • A small screen and two speakers just above eye level
  • Two protruding, horizontal slots of unknown purpose
  • A metallic nozzle
  • A red laser barcode scanner
  • A 3×4 panel of icons (similar in style to what’s seen in the St. God’s interfaces) in the lower left. Sadly we don’t see these buttons in use.

But for the sake of completeness, the icons are, in western reading order:

  • No money, do not enter symbol, question
  • Taco, plus, fries
  • Burger, pizza, sundae
  • Asterisk, up-down, eye

The bottom has an illuminated dispenser port.

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In use

Joe approaches the kiosk and, hungry, watches to figure out how people get food. He hears a transaction in progress, with the kiosk telling the customer, “Enjoy your EXTRA BIG ASS FRIES.” She complains, saying, “You didn’t give me no fries. I got an empty box.”

She reaches inside the food port to see if it just got stuck, and tinto the take-out port and fishes inside to see if it just got stuck. The kiosk asks her, “Would you like another EXTRA BIG ASS FRIES?” She replies loudly into the speaker, “I said I didn’t get any.” The kiosk ignores her and continues, “Your account has been charged. Your balance is zero. Please come back when you afford to make a purchase.” The screen shows her balance as a big dollar sign with a crossout circle over it.

Frustrated, she bangs the panel, and a warning screen pops up, reading, “WARNING: Carl’s Junior frowns upon vandalism.”

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She hits it again, saying, “Come on! My kids’re starving!” (Way to take it super dark, there, Judge.) Another screen reads, “Please step back.”

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A mist sprays from the panel into her face as the voice says, “This should help you calm down. Please come back when you can afford to make a purchase! Your kids are starving. Carl’s Junior believes no child should go hungry. You are an unfit mother. Your children will be placed in the custody of Carl’s Junior.”

She stumbles away, and the kiosk wraps up the whole interaction with the tagline, “Carl’s Junior: Fuck you. I’m eating!” (This treatment of brands, it should be noted, is why the film never got broad release. See the New York Times article, or, if you can’t get past the paywall, the Mental Floss listicle, number seven.)

Joe approaches the kiosk and sticks a hand up the port. The kiosk recognizes the newcomer and says, “Welcome to Carl’s Junior. Would you like to try our EXTRA BIG ASS TACO, now with more MOLECULES?” Then the cops arrive to arrest the mom.

***

Critique

Now, I don’t think Judge is saying that automation is stupid. (There are few automated technologies in the film that work just fine.) I think he’s noting that poorly designed—and inhumanely designed—systems are stupid. It’s a reminder for all of us to consider the use cases where things go awry, and design for graceful degradation. (Noting the horrible pun so implied.) If we don’t, people can lose money. People can go hungry. The design matters.

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Spoiler alert: If you’re worried about the mom, the police arrive in the next beat and arrest him , so at least she’s not arrested.

I have questions

The interface inputs raise a lot of questions that are just unanswerable. Are there only four things on the menu? Why are they distributed amongst other categories of icons? Is “plus” the only customization? Does that mean another of the same thing I just ordered, or a larger size? What have I ordered already? How much is my current total? Do I have enough to pay for what I have ordered? There all sorts of purchase path best practice standards being violated or unaddressed by the scene. Of course. It’s not a demo. A lot of sci-fi scenes involve technology breaking down.

Graceful degradation

Just to make sure I’m covering the bases, here, let me note what I hope is obvious. No automation system/narrow AI is perfect. Designers and product owners must presume that there will be times when the system fails—and the system itself does not know about it. The kiosk thinks it has delivered EXTRA BIG ASS FRIES, but it’s wrong. It’s delivered an empty box. It still charged her, so it’s robbed her.

We should always be testing, finding, and repairing these failure points in the things we help make. But we should also design an easy recourse for when the automation fails and doesn’t know. This could be a human attendant (or even a button that connects to a remote human operator who could check the video feed) to see that the woman is telling the truth, mark that panel as broken and use overrides to get her EXTRA BIG ASS FRIES from one of the functioning panels or refund her money to, I guess, go get a tub of Flaturin instead? (The terrible nutrition of Idiocracy is yet another layer for some speculative scifinutrition blog to critique.)

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Again, privacy. Again, respectfulness.

The financial circumstances of a customer are not the business of any other customer. The announcement and unmistakable graphic could be an embarrassment. Adding the disingenuous 🙁 emoji when it was the damned machine’s fault only adds insult to injury. We have to make sure and not get cute when users are faced with genuine problems.

Benefit of the doubt

Anther layer of the stupid here is that OmniBro has the sensors to detect frustrated customers. (Maybe it’s a motion sensor in the panel or dispense port. Possibly emotion detectors in the voice input.) But what it does with that information is revolting. Instead of presuming that the machine has made some irritating mistake, it presumes a hostile customer, and not only gasses her into a stupor while it calls the cops, it is somehow granted the authority to take her children as indentured servants for the problems it helped cause. If you have a reasonable customer base, it’s better for the customer experience, for the brand, and the society in which it operates to give the customers the benefit of the doubt rather than the presumption of guilt.

Prevention > remedy

Another failure of the kiosk is that it discovers that she has no money only after it believes it has dispensed EXTRA BIG ASS FRIES. As we see elsewhere in the film, the OmniBro scanners work accurately at a huge distance even while the user is moving along at car speeds. It should be able to read customers in advance to know that they have no ability to pay for food. It should prevent problems rather than try (and, as it does here, fail) to remedy them. At the most self-serving level, this helps avoid the potential loss or theft of food.

At a collective level, a humane society would still find some way to not let her starve. Maybe it could automatically deduct from a basic income. Maybe it could provide information on where a free meal is available. Maybe it could just give her the food and assign a caseworker to help her out. But the citizens of Idiocracy abide a system where, instead, children can be taken away from their mothers and turned into indentured servants because of a kiosk error. It’s one thing for the corporations and politicians to be idiots. It’s another for all the citizens to be complicit in that, too.

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Fighting American Idiocracy

Since we’re on the topic of separating families: Since the fascist, racist “zero-tolerance” policy was enacted as a desperate attempt to do something in light of his failed and ridiculous border wall promise, around 3000 kids were horrifically and forcibly separated from their families. Most have been reunited, but as of August there were at least 500 children still detained, despite the efforts of many dedicated resisters. The 500 include, according to the WaPo article linked below, 22 kids under 5. I can’t imagine the permanent emotional trauma it would be for them to be ripped from their families. The Trump administration chose to pursue scapegoating to rile a desperate, racist base. The government had no reunification system. The Trump administration ignored Judge Sabraw’s court-ordered deadline to reunite these families. The GOP largely backed him on this. They are monsters. Vote them out. Early voting is open in many states. Do it now so you don’t miss your chance.

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OmniBro

The OmniBro is the ubiquitous payment and identification system in Idiocracy. We see it four times in the movie.

Doc office

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Dr. Lexus asks Joe to pay for his visit, “…if you could just go ahead and, like, put your tattoo in that shit.” In this case, that shit is a barcode scanner mounted to the back of a desktop register. We don’t get to see it in use, because as described in the prior post, Dr. Lexus freaks out, realizing Joe is unscannable and hitting the panic button.

Prison

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Another time we see the OmniBro is in the prison. After talking his way past the guard, another guard at a checkout counter has him scan his new tattoo. The guard checks the screen and tells him, “Uh. Yeah, I don’t see you in here. So you’re going to have to…uh…stay in prison.” Joe says, “Could you check again, because I was definitely in prison. OK. I got sat on my face and everything. Maybe check those files back there?” The guard turns, and Joe runs. There’s admittedly a post in there about prison security and release (and America has a lot to improve, especially in its reprehensible prison-for-profit systems), but this post is about the OmniBro.

Carl’s Junior

The third time we see it is at the Carl’s Junior kiosk. (More on the whole system in the next post.) Though the customer appears to have already scanned, it is how anyone ordering food pays for it.

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What’s good?

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St. God’s: Unscannable Panic

During Joe’s consultation with Dr. Lexus, all the clues he has been stumbling past finally begin to sink in. When Dr. Lexus asks him to pay the bill, and—thinking Joe is mentally challenged—instructs him to put his tattoo up to the OmniBro payment system, he realizes that Joe has no barcode on his wrist.

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The doctor is absolutely terrified of this. He can barely conceive it. “Why come you don’t have a tattoo?” [sic] “You’re not unscannable, are you‽…You’re unscannable!!” In a panic he reaches out to his treatment panel and smashes the lower-left hand icon, shouting, “UNSCANNABLE!!” This causes a klaxon to sound and red beacon light to blink. Joe realizes he can’t stay and flees.

The panel

Dr. Lexus has a 3×4 mini-panel similar to Biggiez’ intake interface. It gets only a blurry half a second of screen time, but through the annoying power of screengrab, I can see that they’re a subset of the graphics from the intake interface.

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Artists’ janky interpretation

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