Since Tony disconnected the power transmission lines, Pepper has been monitoring Stark Tower in its new, off-the-power-grid state. To do this she studies a volumetric dashboard display that floats above glowing shelves on a desktop.
The display features some volumetric elements, all rendered as wireframes in the familiar Pepper’s Ghost (I know, I know) visual style: translucent, edge-lit planes. A large component to her right shows Stark Tower, with red lines highlighting the power traveling from the large arc reactor in the basement through the core of the building.
The center of the screen has a similarly-rendered close up of the arc reactor. A cutaway shows a pulsing ring of red-tinged energy flowing through its main torus.
This component makes a good deal of sense, showing her the physical thing she’s meant to be monitoring but not in a photographic way, but a way that helps her quickly locate any problems in space. The torus cutaway is a little strange, since if she’s meant to be monitoring it, she should monitor the whole thing, not just a quarter of it that has been cut away.
After Hawkeye is enthralled by Loki, agent Coulson has to call agent Romanoff in from the field, mid-mission. While he awaits her to extract herself from a situation, he idly glances at case file 242-56 which consists of a large video of Barton and Romanoff mid-combat, and overview profiles of the two agents. A legend in the upper right identifies this as STRIKE TEAM: DELTA, and a label at the top reads ABIDJAN OPERATION. There is some animated fuigetry on the periphery of the video, and some other fuigetry in windows that are occluded by the case file.
Each drone is a semi-autonomous flying robot armed with large cannons, heavy armor, and a wide array of sensor systems. When in flight mode, the weapon arms retract. The arms extend when the drone senses a threat.
Each drone is identical in make and temperament, distinguishable only by large white numbers on its “face”. The armored shell is about a meter in diameter (just smaller than Jack). Internal power is supplied by a small battery-like device that contains enough energy to start a nuclear explosion inside of a sky-scraper-sized hydrogen distiller. It is not obvious whether the weapons are energy or projectile-based.
The Drone Interface is a HUD that shows the drone’s vision and secondary information about its decision making process. The HUD appears on all video from the Drone’s primary camera. Labels appear in legible human English.
Video feeds from the drone can be in one of several modes that vary according to what kind of searching the drone is doing. We never see the drone use more than one mode at once. These modes include visual spectrum, thermal imaging, and a special ‘tracking’ mode used to follow Jack’s bio signature.
Occasionally, we also see the Drone’s primary objective on the HUD. These include an overlay on the main view that says “TERMINATE” or “CLEAR”.
Korben receives physical mail to a transparent, flat pneumatic tube in his apartment. When new mail arrives, he hears a whoosh, the envelope drops into place, and the plastic material that the tube is made of becomes edge-lit with the film’s signature orange color.
To retrieve the letter, Korben lifts a hinged side and slides the letter out. The tube hangs at from the ceiling about waist high, to the left of his window desk on the far side of his apartment from the door.
The positioning of the tube is nice as the desk is one place he’s likely to put information received there to use: reading and storing if necessary. Another location might have been near the door, to catch his attention in a physical location that he frequents. But infrequent use is not too much of a problem since the edge lighting should catch his attention.
His attention could be drawn more aggressively to the tube by having the light blink a few times at the arrival of new mail, or when he enters the apartment. Presuming the system knows the importance of a given letters—such as when he is fired from Zorg industries—it could offer an additional audio cue, such as a simple statement of "urgent" using the same voice that announces his allotment of cigarettes in the morning.
Another tiny improvement might be to remove the flap entirely, but adding a grip gap at the edge, on the apartment-facing side of the tube. Presuming this wouldn’t mess with the pneumatic or stability of the letter in place, it would save Korben from having to target and raise the flap. Grabbing mail would just be easier.
Oddly, the edge lighting does not disappear when Korben retrieves letters, which is odd given the slight context-awareness that the rest of the apartment displays. The light should turn off or fade once the letter is removed.