The Dark Dimension mode (5 of 5)

We see a completely new mode for the Eye in the Dark Dimension. With a flourish of his right hand over his left forearm, a band of green lines begin orbiting his forearm just below his wrist. (Another orbits just below his elbow, just off-camera in the animated gif.) The band signals that Strange has set this point in time as a “save point,” like in a video game. From that point forward, when he dies, time resets and he is returned here, alive and well, though he and anyone else in the loop is aware that it happened.

Dark-Dimension-savepoint.gif

In the scene he’s confronting a hostile god-like creature on its own mystical turf, so he dies a lot.

DoctorStrange-disintegrate.png

An interesting moment happens when Strange is hopping from the blue-ringed planetoid to the one close to the giant Dormammu face. He glances down at his wrist, making sure that his savepoint was set. It’s a nice tell, letting us know that Strange is a nervous about facing the giant, Galactus-sized primordial evil that is Dormammu. This nervousness ties right into the analysis of this display. If we changed the design, we could put him more at ease when using this life-critical interface.

DoctorStrange-thisthingon.png

Initiating gesture

The initiating gesture doesn’t read as “set a savepoint.” This doesn’t show itself as a problem in this scene, but if the gesture did have some sort of semantic meaning, it would make it easier for Strange to recall and perform correctly. Maybe if his wrist twist transitioned from moving splayed fingers to his pointing with his index finger to his wrist…ok, that’s a little too on the nose, so maybe…toward the ground, it would help symbolize the here & now that is the savepoint. It would be easier for Strange to recall and feel assured that he’d done the right thing.

I have questions about the extents of the time loop effect. Is it the whole Dark Dimension? Is it also Earth? Is it the Universe? Is it just a sphere, like the other modes of the Eye? How does he set these? There’s not enough information in the movie to backworld this, but unless the answer is “it affects everything” there seems to be some variables missing in the initiating gesture.

Setpoint-active signal

But where the initiating gesture doesn’t appear to be a problem in the scene, the wrist-glance indicates that the display is. Note that, other than being on the left forearm instead of the right, the bands look identical to the ones in the Tibet and Hong Kong modes. (Compare the Tibet screenshot below.) If Strange is relying on the display to ensure that his savepoint was set, having it look identical is not as helpful as it would be if the visual was unique. “Wait,” he might think, “Am I in the right mode, here?

Eye-of-Agamoto10.png

In a redesign, I would select an animated display that was not a loop, but an indication that time was passing. It can’t be as literal as a clock of course. But something that used animation to suggest time was progressing linearly from a point. Maybe something like the binary clock from Mission to Mars (see below), rendered in the graphic language of the Eye. Maybe make it base-3 to seem not so technological.

binary_clock_10fps.gif

Seeing a display that is still, on invocation—that becomes animated upon initialization—would mean that all he has to do is glance to confirm the unique display is in motion. “Yes, it’s working. I’m in the Groundhog Day mode, and the savepoint is set.

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Perimeter Fences

Jurassic_Park_Perimeter_Fences01Each of the dinosaur paddocks in Jurassic Park is surrounded by a large electric fence on a dedicated power circuit that is controlled from the Central Control Room. The fences have regular signage warning of danger…

Jurassic_Park_Perimeter_Fences04…and large lamps at the top of many towers with amber and blue lights indicating the status of the fence.

Jurassic_Park_Perimeter_Fences02 Continue reading

Brain VP

GitS-VPbrain-04

When trying to understand the Puppet Master, Kusanagi’s team consults with their staff Cyberneticist, who displays for them in his office a volumetric projection of the cyborg’s brain. The brain floats free of any surrounding tissue, underlit in a screen-green translucent monochrome. The edge of the projection is a sphere that extends a few centimeters out from the edge of the brain. A pattern of concentric lines routinely passes along the surface of this sphere. Otherwise, the "content" of the VP, that is, the brain itself, does not appear to move or change.

The Cyberneticist explains, while the team looks at the VP, "It isn’t unlike the virtual ghost-line you get when a real ghost is dubbed off. But it shows none of the data degradation dubbing would produce. Well, until we map the barrier perimeter and dive in there, we won’t know anyting for sure."

GitS-VPbrain-01

GitS-VPbrain-02

GitS-VPbrain-03

The VP does not appear to be interactive, it’s just an output. In fact, it’s just an output of the surface features of a brain. There’s no other information called out, no measurements, or augmenting data. Just a brain. Which raises the question of what purpose does this projection serve? Narratively, of course, it tells us that the Cyberneticist is getting deep into neurobiology of the cyborg. But he doesn’t need that information. Kunasagi’s team doesn’t even need that information. Is this some sort of screen saver?

And what’s up with the little ripples? It’s possible that these little waves are more than just an artifact of the speculative technology’s refresh. Perhaps they’re helping to convey that a process is currently underway, perhaps "mapping the barrier perimeter." But if that was the case, the Cyberneticist would want to see some sense of progress against a goal. At the very least there should be some basic sense of progress: How much time is estimated before the mapping is complete, and how much time has elapsed?

Of course any trained brain specialist would gain more information from looking at the surface features of a brain than us laypersons could understand. But if he’s really using this to do such an examination, the translucency and peaked, saturated color makes that task prohibitively harder than just looking at the real thing an office away or a photograph, not to mention the routine rippling occlusion of the material being studied.

Unless there’s something I’m not seeing, this VP seems as useless as an electric paperweight.