Fritzes 2026 bonus award: Best Robots

The Fritzes award honors the best interfaces in a full-length motion picture in the past year. Interfaces play a special role in our movie-going experience, and are a craft all their own that does not otherwise receive focused recognition.

The 2026 Award for Best Robots: The Electric State

The Fritzes has been tracking robots in cinema for a few years now. My favorite from 2025 is The Electric State. The film is a Netflix film adaptation of Simon Stålenhag’s luscious illustrated novel of the same name. And some of the robots we see in the film are directly lifted from his illustrations. So this award partly goes to you, Simon. 

A futuristic landscape featuring a massive, rusted robot sculpture in an urban setting, with two figures standing in front of it. Cars are parked nearby under a bridge, with mountains visible in the background and a clear sky above.
A whimsical landscape featuring a large, rusty robot figure lying in a desert setting, surrounded by sparse vegetation and mountains in the background under a blue sky.

But in the movie they are animated and voiced, and there are new ones as well, so it is its own thing. It has Chris Pratt, who is problematic for offscreen reasons, and the script can be somewhat tropey, but the film has nifty world building. In the diegesis, sentient robots are seen as enemies of the state and excommunicated to form their own outcast cities. The design of the robots betray their capitalist origins. Mascots and advertisements. Job-tailored bots. They are quirky and charming and all sizes, and help critique a system that fully deserves it.

A futuristic desert scene featuring various robotic characters and a dilapidated building with the sign 'SEARS'. Numerous robots are depicted interacting and exploring the area, amidst rocky cliffs in the background.

Also check out: Superman!

 James Gunn’s first D.C. movie brought Superman to life and added some things to its lore, such as: Kal-El has four service robots that support him in his Fortress of Solitude. They’re just called Superman Robots at first. Their chest plates identify them by number: 1, 4, 5, and 12. They’re on the far side of the canny rise, one-eyed and very much robotic, with charming banter. At the end of the movie, after it is rebuilt, number four dons a cape and chooses a name, and that name is Gary. Gary’s just a mensch “with no emotional capacity whatsoever”. (And that frankness is why I like Gary.)

Also check out: M3gan 2.0!

One of the smart things the M3gan franchise uses in their diegesis is that AI and robotic housings are not tightly bound. AI can slip out of a housing, replicate itself, find new embodiments on the network, manage multiple embodiments, coordinate disparate housings, etc. Over the course of the movie, we see M3gan and her nemesis AMELIA in many kinds of robot bodies in many states of development. My favorite is the cute little toy that Gemma puts M3gan while she was figuring out if the AI could be trusted.

A small, friendly-looking robot with a teal body and large expressive eyes, standing on a cluttered workspace.

This decoupling is an important difference in AI capabilities that don’t jive with our anthropocentric models. Humans and animals can’t do that, so it’s something that bears literacy.

Shout out to the Act III robot design for AMELIA that references Hajime Sorayama’s illustrations from the 80s and 90s, because reference!

Also check out: Section 31!

Near the end of the film, Garrett finds a Droom doll in the hold of a garbage scow they’ve commandeered. The doll has sensors to detect its context, and actuators to move the arms, head, and mouth. Its three eyes can illuminate. It has speech generation and, as we discover, general reasoning capabilities. When Garrett first finds it, it says, “Hi there! I’m so glad you found me!” It suggests play time with, “Shall we do something fun together?” and spins its head around, whipping its indigo-colored hair in circles.

Garrett pours acid on its volatile power source to turn it into a bomb, and it begins to malfunction, uttering child-friendly things like “We can be friends forever” and dark things, like, “We’re all gonna die! We’re all gonna die!” It is released from the ship to explode in space and destroy another ship that is chasing it.

The conclusion that “we’re all gonna die” is immediately true in the diegesis, not just the morbid, general version of that same truth. But making this conclusion depends not just on context, but general causal reasoning. My decaying battery is going to explode and destroy everything and everyone around it, so I’m going to shout that fact. Note it does not actually issue a warning for the owner to flee, which it should do, but we can chalk that up to malfunction. It hints that the Droom are a species with vast technological resources but troublingly weak risk assessment. All from a tiny little robot with mere seconds of screen time.

Next up: The best assistants of 2025

Panther Glove Guns

As I rule I don’t review lethal weapons on scifiinterfaces.com. The Panther Glove Guns appear to be remote-bludgeoning beams, so this kind of sneaks by. Also, I’ll confess in advance that there’s not a lot that affords critique.

We first see the glove guns in the 3D printer output with the kimoyo beads for Agent Ross and the Dora Milaje outfit for Nakia. They are thick weapons that fit over Shuri’s hands and wrists. I imagine they would be very useful to block blades and even disarm an opponent in melee combat, but we don’t see them in use this way.

The next time we see them, Shuri is activating them. (Though we don’t see how) The panther heads thrust forward, their mouths open wide, and the “neck” glows a hot blue. When the door before her opens, she immediately raises them at the guards (who are loyal to usurper Killmonger) and fires.

A light-blue beam shoots out of the mouths of the weapons, knocking the guards off the platform. Interestingly, one guard is lifted up and thrown to his 4-o-clock. The other is lifted up and thrown to his 7-o-clock. It’s not clear how Shuri instructs the weapons to have different and particular knock-down effects. But we’ve seen all over Black Panther that brain-computer interfaces (BCI) are a thing, so it’s diegetically possible she’s simply imagining where she wants them to be thrown, and then pulling a trigger or clenching her fist around a rod or just thinking “BAM!” to activate. The force-bolt strikes them right where they need to so that, like a billiard ball, they get knocked in the desired direction. As with all(?) brain-computer interfaces, there is not an interaction to critique.

After she dispatches the two guards, still wearing the gloves, she throws a control bead onto the Talon. The scene is fast and blurry, but it’s unclear how she holds and releases the bead from the glove. Was it in the panther’s jaw the whole time? Could be another BCI, of course. She just thought about where she wanted it, flung her arm, and let the AI decide when to release it for perfect targeting. The Talon is large and she doesn’t seem to need a great deal of accuracy with the bead, but for more precise operations, the AI targeting would make more sense than, say, letting the panther heads disintegrate on command so she would have freedom of her hands. 

Later, after Killmonger dispatches the Dora Milaje, Shuri and Nakia confront him by themselves. Nakia gets in a few good hits, but is thrown from the walkway. Shuri throws some more bolts his way though he doesn’t appear to even notice. I note that the panther gloves would be very difficult to aim since there’s no continuous beam providing feedback, and she doesn’t have a gun sight to help her. So, again—and I’m sorry because it feels like cheating—I have to fall back to an AI assist here. Otherwise it doesn’t make sense. 

Then Shuri switches from one blast at a time to a continuous beam. It seems to be working, as Killmonger kneels from the onslaught.

This is working! How can I eff it up?

But then for some reason she—with a projectile weapon that is actively subduing the enemy and keeping her safe at a distance—decides to close ranks, allowing Killmonger to knock the glove guns with a spear tip, thereby free himself, and destroy the gloves with a clutch of his Panther claws. I mean, I get she was furious, but I expected better tactics from the chief nerd of Wakanda. Thereafter, they spark when she tries to fire them. So ends this print of the Panther Guns.

As with all combat gear, it looks cool for it to glow, but we don’t want coolness to help an enemy target the weapon. So if it was possible to suppress the glow, that would be advisable. It might be glowing just for the intimidation factor, but for a projectile weapon that seems strange.

The panther head shapes remind an opponent that she is royalty (note no other Wakandan combatants have ranged weapons) and fighting in Bast’s name, which I suppose if you’re in the business of theocratic warfare is fine, I guess.

It’s worked so well in the past. More on this aspect later.

So, if you buy the brain-computer interface interpretation, AI targeting assist, and theocratic design, these are fine, with the cinegenic exception of the attention-drawing glow.


Black History Matters

Each post in the Black Panther review is followed by actions that you can take to support black lives.

When The Watchmen series opened with the Tulsa Race Massacre, many people were shocked to learn that this event was not fiction, reminding us just how much of black history is erased and whitewashed for the comfort of white supremacy (and fuck that). Today marks the beginning of Black History Month, and it’s a good opportunity to look back and (re)learn of the heroic figures and stories of both terror and triumph that fill black struggles to have their citizenship and lives fully recognized.

Library of Congress, American National Red Cross Photograph Collection

There are lots of events across the month. The African American History Month site is a collaboration of several government organizations (and it feels so much safer to share such a thing now that the explicitly racist administration is out of office and facing a second impeachment):

  • The Library of Congress
  • National Archives and Records Administration
  • National Endowment for the Humanities
  • National Gallery of Art
  • National Park Service
  • Smithsonian Institution and United States Holocaust Memorial Museum

The site, https://www.africanamericanhistorymonth.gov/, has a number of resources, including images, video, and calendar of events for you.

Today we can take a moment to remember and honor the Greensboro Four.

On this day, February 1, 1960: Through careful planning and enlisting the help of a local white businessman named Ralph Johns, four Black college students—Ezell A. Blair, Jr., Franklin E. McCain, Joseph A. McNeil, David L. Richmond—sat down at a segregated lunch counter at Woolworth’s in Greensboro, North Carolina, and politely asked for service. Their request was refused. When asked to leave, they remained in their seats.

Police arrived on the scene, but were unable to take action due to the lack of provocation. By that time, Ralph Johns had already alerted the local media, who had arrived in full force to cover the events on television. The Greensboro Four stayed put until the store closed, then returned the next day with more students from local colleges.

Their passive resistance and peaceful sit-down demand helped ignite a youth-led movement to challenge racial inequality throughout the South.

A last bit of amazing news to share today is that Black Lives Matter has been nominated for the Nobel Peace Prize! The movement was co-founded by Alicia Garza, Patrisse Cullors and Opal Tometi in response to the acquittal of Trayvon Martin’s murderer, got a major boost with the outrage following and has grown to a global movement working to improve the lives of the entire black diaspora. May it win!