Let’s cut to the chase. Las Luchadoras is a wholesale rip-off of Cybernauts, from the 1961–1969 British TV series The Avengers, specifically the episode “Return of the Cybernauts” from 1967. Thanks to readers Xavier Mouton-Dubosc @dascritch and Roger Long @evil_potato for drawing my attention to the complete ripoffery.
Bad robot is silver-faced, wears a black trench coat, does not speak, wears black sunglasses, and a black hat.
Bad robot is given instructions via a graphically-designed card inserted into a machine slot.
Bad robot smashes through walls to gain access to victims who stand there in horror rather than, say, running from the slow-walking golem.
When bad robot kills, it does so with karate chops.
Bad human captures scientists and forces them to provide engineering specs to fulfill his evil ambitions.
Bad human forces scientists to build a wrist-wearable mind-control device, for use on Team Good. (One’s a bracelet. The other is a watch.) The main target for mind-control is a woman.
Bad human has plans to use the mind-controlled person to fight the rest of Team Good.
The day is saved (spoiler? I guess?) by pulling the mind-control device from the victim and putting it on the robot, which instead of granting the bad human more control of the robot, causes it to go berserk.
It’s like René Cardona saw “Return of the Cybernauts” on TV, loved it, and thought there is only one thing that could make this better: Lady. Wrestlers. So he added luchadoras and hoped BBC Four wouldn’t notice. He just wanted to make the world better, y’all.
If you think I’m exaggerating, here are a few side by side shots.
To specify a target for assassination or kidnapping, Orlak (or a henchman) inserts a specially designed card into a slot built into the robot’s chest, right at its heart. One of those cards is below.
The layout of the card puts the victim’s picture on the left; a node-graph diagram that looks like a constellation diagram, and some inscrutable symbols on the right. The characters discuss that this card contains a cardiogram of the victim, but it’s unclear which part of the card has this information, because they usually look something like this:
Oh, it’s probably worth mentioning that one of the movie’s givens is that a cardiogram can uniquely identify a person, like a thumbprint (which isn’t as provably unique as popular culture would have us believe). But to use a cardiogram to locate a person without a ubiquitous sensing network (unthinkable in 1969) would require a very high resolution cardiogram, a wall-piercing sensors, and some shockingly advanced pattern matching on the part of the robot, and I’m not sure I’m willing to give this film that much credit.
Presuming that there are lots of technical reasons for the stuff on the right, and the robot needs the profile for visual recognition, I imagine the only thing missing is a human-readable name so these are easy for the henchmen and scientists to discuss amongst themselves. I mean, they might happen to know every single scientist in town by sight, but having the name would avoid possible misidentifications. The design of artifacts have to take into account all common scenarios of use, including production, maintenance, and storage.
Speaking of which, it’s unclear how these cards are produced. They seem like they take a lot of expert effort to produce and fabricate. Let’s give the film credit to say that this is a deliberate attempt by the enslaved scientists to…
Make something as irrevocable as a death sentence very difficult to order.
Ensure an order to the murderous robot takes time, and thereby give time to let passions subside and orders to be rescinded.
Serve as a bailiwick of sorts, being too difficult for a layperson to do, and thereby difficult to turn on its masters.