Fritzes 2020: Honorary Award

I have wanted to do this for about 6 years. I began imagining it as a thing on an actual stage with physical awards and a sponsor and an academy of hundreds. But things kept getting in the way of the big-production version, (as you can tell by, you know, the lack of any awards from 2014 until now). So in 2019, I thought about what the minimum-delightful version might be, and I’m happy that this was the trick that finally worked.

And tonight’s the night. Alongside the 92nd Academy Awards happening in the Dolby Theatre, in Los Angeles, California, I’ll be announcing five awards. For my RSS subscribers (about half of you), I’ll make a short post for each award that will wind up in your readers, a little less than an hour apart each. For those who follow social media notifications to the site, notifications are timed to go out just after the posts are released. Finally, the final results will be documented as a page that will be part of the persistent navigation on the site.

To kick off the “evening,” I’m first giving an honorary and posthumous award to Fritz Lang.

Honorary Award

The Fritz award is named for him, since he was was the first filmmaker to put realistic interfaces in a sci-fi film, specifically his 1927 film Metropolis. (It was the first film I officially reviewed on the blog.) Lang was grappling with the larger role of technology in society, and his interfaces are wonderfully evocative and illustrative. Naming the awards after him honors his pioneering spirit and craft. Plus there’s a fun irony of “being on the fritz” being slang for broken technology. Just look at the wonder of this horrible “human router” interface from the film.

You can find full length films of Metropolis online, such as this high res copy posted by YouTube user Pedro Campos Miranda.

The Fritzes award honors the best interfaces in a full-length motion picture in the past year. Interfaces play a special (and for my money, under-appreciated) role in our movie-going experience, and are a craft all their own that does not otherwise receive focused recognition.

In this first year, awards will be given for Best Believable, Best Narrative, Audience Choice, and Best Interfaces (overall.) A group of critics and creators were consulted to watch the nominated films, compare their merits, and cast votes. Thanks to everyone who helped to get things to this point.

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