The movies nominated for Best Interfaces manage the extraordinary challenge of being believable and helping to paint a picture of the world of the story. They advance the state of the art in telling stories with speculative technology. The nominees for Best Narrative are I Am Mother, Spider Man: Far From Home, and Men in Black: International.
The winner of the Best Interfaces award for 2020 is Spider-Man: Far From Home.
Spider-Man: Far From Home
In the second 2019 nominee movie from the MCU, Peter Parker fails to have a normal summer studying abroad in Europe. He witnesses what he thinks are elemental monsters wreaking havoc on popular tourist cities, and a new superhero named Mysterio fighting them. Over the course of the film, Parker and his Scoobys discover the terrible truth before defeating and exposing the real bad guy. In the end, Parker learns to accept Tony Stark’s legacy, and then has his secret identity rudely outed.
Technology is at the very heart of this plot. And while it could have played out with lots of gee-whiz wiggling-chart nonsense, Far from Home puts in the work to make the interfaces believable, germane to the plot, and still pretty amazing. Sensational. Spectacular, even.
When you watch the film again, keep an eye out for Mysterio’s drone tracking screens, the solid comedy with the trigger-happy AI Edith, and even the lovely suit-design tools that echo Iron Man from over a decade before, and you’ll see why the film is nominated for Best Interfaces of the year.
I would love to extend my congratulations to all the studios who produced this work, but Hollywood is complicated and nothing makes it easy to identify exactly who is to credit for what. So let me extend my congratulations generally to the nominees and winners for an extraordinary body of work. Here’s looking to the next year of sci-fi cinema.